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Posts Tagged ‘Pop

Jon Brion plays “Creep”

翻开 Jon Brion 位于wikipedia上的履历,我们会看到一段简短却功能丰富的个人简介,他是一位典型的多面手音乐人,擅长演奏多种乐器、歌手、词曲作者、制作人,同时也是一位非常具有才华的作曲家,Jon Brion为多部电影创作过电影配乐,比如《我爱哈克比》,还有《美丽心灵的永恒阳光》,对细腻情感的概括与表现为影片增色许多。如果此时你认定他是一位温柔浪漫的吟游者,那下面这段Tom Waits版的《Creep》必定会让你拍案叫绝。不管你怎样想,我们是真的被这位玩弄音乐于鼓掌的家伙给打败了。

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| 影音万象 | 八月 27, 2010
Black New New

“Black New New”是近期一支活跃于某省会电视台一档音乐选秀节目上的上海三人乐队(他们在上海本地据说已经有了一定的知名度),其风格融合了Jpop,Indie-Pop、简化版街头说唱、电子、funk…如果你对上海话不是很排斥,歌词内容倒是值得注意一下,颇有些似是而非的意思。“Black New New”作为80后这一代人,一股脑的把他们将近三十年来吸收到的西方及东洋音乐元素融入到自己的作品中,非常坦诚的膜拜与致敬。干得不错!

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纪念杰克逊先生驾鹤西去一周年

中央歌舞剧团致敬汇报演出 (更多…)

卢广仲:《七天》- 丑丑的天才

初次听到卢广仲的歌曲是通过电台的某档音乐节目。他的作品属于瞬间可以让你缩回舔着巧克力冰激凌的舌头,然后跟着节奏和旋律晃动脑袋的那一类。很多人把卢广仲比作男版陈绮贞,这是不准确的。从音乐创作思路的开放度看,卢广仲的创作之源远比陈绮贞更加的多元化。无论是导演、演员、歌手、创作者,都应有能力驾驭各种风格的内容。卢广仲显然是一位优秀的创作者,优秀的歌手。不留恋于自怨自艾,不故作姿态,不扮小丑走钢丝。所以就是这么一位本色的创作型歌手,如果把他单纯定位于主流pop恐怕是不准确的。听完整张专辑,私下认为定位于 indie-pop 也许更能准确还原他本人对待音乐的态度。
唯一的遗憾,为什么上帝没有给他一张流行一些的面孔?

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周杰伦 :《跨时代》- 很做作,很真诚

周杰伦是华语流行乐坛里一个非常特别的符号。他的身上有太多我们这代人的印迹,有一点点想法、有太多自以为是、有一些无所适从、有许多的肤浅与浮躁。作为一位听众,我真诚的为他这许多年的工作表示由衷的钦佩。钦佩他过了30岁还有勇气在最新的专辑里加入那些代表新生代(脑残?)流行文化的音乐元素,但更钦佩他仍然坚持延续着自己想要的东西。也许他的个人风格正逐渐失去味道,也许他还是该找回方文山;无论这是一张多么口水的流行专辑,无论他拍了多少所谓的电影。至少,这仍是一张可以清清楚楚看到周杰伦自己模样的专辑。(哥么儿,如果不缺钱,就别拍电影了。)

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