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Posts Tagged ‘Painting

| 设计艺术 | 五月 10, 2012
艺术与功利

在开始谈论艺术与功利的关系这个话题之前,我觉得有必要先明确这里所谓“艺术”的范畴。首先那些在画廊和装饰商店寄卖的画作,我们不予讨论,并不是说那些画中没有艺术精品,而是它们与利益之间的功利关系是显而易见的;其次,西方大部分经典画作,在当时都是被赞助,或作为商品服务宗教和权贵的,这样的利益关系也无须赘言;最后,那些当今由炒作、缺乏鉴赏力的人云亦云等行为打造出的,令人莫名的高价艺术品,同样不在讨论范围之内。总之,撇开一切与商业利益的联系,剩下的便是我所要谈的,纯粹的艺术审美的功利性问题。

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艺术家: Sergio Albiac

某种艺术形式在成为伟大之前通常独立于人们的普遍认知范围之外,只有往往当人们对“时髦”失去耐心之余,复又开始怜悯周遭的一切,包括我们自己。对此,我们好像有着约定俗成的执念,然后我们会通过“悼念”、“蹂躏”或者“诡辩”眼前的一切的方式以企图彻底消磨掉燃烧殆尽的欲望…不过,这对于艺术而言并没有什么不公平的,因为它始终表现出一种静默的状态,而我们也总喜欢用某种方式或某件工具描述它,无论过程与结果如何,亦无非是对它的遐想和对自身的眷念。

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“作品知道我的一切”- 访谈IdleBeats丝网印刷工作室创始人Nini Sum

访谈应该偏重客观纪实,还是展开一个与被访者更深沟通的可能?先看前者,我们已知事实是,IdleBeats 丝网印刷工作室由一位中国姑娘于09年创建,作为中国大陆第一个印制原创、限量艺术作品的丝网印刷工作室,她与合伙人Gregor Koerting(盒子先生) 以上海为大本营,与多个国内外乐队及艺术团体合作——设计CD封套、印制限量海报、TEE、受邀去德国参展、开放工作室进行交流、开办丝网印刷研习班——也许很多艺术类学生动过这个念头,而真正放弃固定工作,创建一个原创丝网印刷工作室,目前只有她一个,她是 Nini Sum,当时23岁。

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艺术家:Allison Schulnik

Allison Schulnik ,这位年轻的艺术家有着女性特有的敏锐感,同时她的创作主题也并非鸿篇巨制,或许你要说这是女性群体长久以来在社会进化过程中形成的局限性,她们通常不太关心社会进步、政治动向之类的话题,但往往很多女性艺术家在表达人类原始情感(比如“爱”、“恨”或者类似于真空状态的情感)方面却有着非常犀利的叙述能力。事物的形状通常会被她们在无意间模糊甚至遗忘,取而代之的是她们对色彩表现出的好奇与无尽的热爱。

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艺术家:Paul David Bond

Paul David Bond 用 Rene Magritte 的诗句抽象了自己的画作:“If the dream is a translation of waking life,waking life is also a translation of the dream.”在艺术领域,Paul David Bond不是唯一一位用绘画的方式描述如梦境般的抽象精神世界的艺术家,他们乐于带领观众徘徊于恍惚与真实之间,使我们处于一种游离状态,并为之着迷。

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