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Posts Tagged ‘jazz

| 影音万象 | 二月 11, 2011
不夜城套装

碟一直在少量购入,淘宝上Blues买的不少,价格便宜何乐不为。再过一个多月会有一波猛料,Naked City各种专辑已经收的差不多了,在Ebay上看到但看到这个签名版还是忍不住买了,年前买,今日收到,乐哉。

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| 慢生快活 | 十一月 8, 2010
大友良英-Blue

日本青春电影《Blue》改编自漫画,由大友良英担当配乐,继田壮壮的《蓝风筝》和许鞍华的《女人四十》之后另一部原声。这位日本地下先锋音乐的大拿不仅擅长实验噪音以及前卫爵士,内心竟然珍藏了如此朴实无华,纯净透明的情感,整张作品忧伤细腻,如果绵绵细雨汇成小溪流向大河。

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John Zorn - The Goddess (Music For The Ancient Of Days) (2010)

剔除了前卫、激进、噪音、先锋总总,John Zorn踏上他并无优势的领域,即便是如此,The Goddess还是展现了真实的美丽,灵动的钢琴快速轻点出无数涟漪,凄婉且动人。这张新作John Zorn虽然再次以火箭推进的速度发行,但在天才的脑颅里短暂急速智慧的迸发怎能有理由拒绝聆听。

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We Want Miles: Miles Davis vs. Jazz

《我们需要Miles: Miles Davis vs. 爵士 》一书给我们提供了一个观察这位传奇爵士音乐人的机会。Miles Davis是爵士音乐史上最伟大的梦想家之一,这本书通过照片、手写乐稿、专辑封面、海报等形式探索了Miles的生活和艺术。本书从他最初在圣路易斯成立乐队开始,然后跟随他一路到了纽约,开创了Bebop新纪元。在那里他与Charlie Parker 和Dizzy Gillespie合作,成就了早期的一些个人单曲如Birth of The Cool。再后来他经历了声名大振的辉煌,穿越了滥用药物的艺术低谷,还有对摇滚和放克从未间断的实验性探索,一直写到Miles的早期隐退,直至重返舞台。

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[爵士贝司专题]Now It's Bass' Time

当我们在欣赏一场现场的爵士乐表演时,总会被台上那些活力四射、引吭高歌的歌手深深地吸引。或者是将目光的焦点集中在小喇叭或萨克斯风手精彩绝伦的即兴演奏上,要不然就是被那狂风暴雨般的鼓手独奏震摄不己。但你可曾注意到这乐团之中,总有一位埋头苦干、满头大汗的贝斯手永不停歇的拨弄那四条琴弦,直到演奏结束,而不曾获得一丁点的掌声。但,贝斯它却是整个爵士乐之中最重要的乐器,任何的爵士乐之中绝对少不了它。

一个完美的爵士乐队就像是一部好车。贝斯手就像是车轮、鼓手就是引擎、钢琴手就像是车身,而小喇叭或萨克斯风手那些即兴演奏者就是司机,可以开着这部车子到他想到的地方。由此可见,贝斯可以说是整个爵士乐的基础,就像是车子一般,若是没有轮胎,车子如何走 (更多…)