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Posts Tagged ‘Future Jazz

Ground Zero - Null & Void

Null & Void与革命京剧可堪称姐妹篇,这两张专辑都融合了顶尖噪音/唱盘采样的专辑,虽然在内容上无政治无关,但由于出自日本人之手,还是依然感到很是敏感。就音乐性而言Null & Void比革命京剧急促猛烈,革命京剧则是在唱盘采样上更一气呵成。相比之下,更早发行的Null & Void真正意义上定下Gound zero的主基调,大友良英领衔的乐队,从一开始就体现出卓尔不群,登峰造极的艺术功底,如TV-Q Missile和大典讲话在重复的鼓点和徐徐拉开的架势至今听起来震撼依旧。

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Ground-Zero - Revolutionary Pekinese Opera革命京剧

这是一张赋予了无穷中国元素的唱片,从十几年前广场上的电台稿开始,到开国大典,沙家浜,从一知半解的二胡演奏,到各地方言、戏曲、都市俚语的采样,以及国人所熟知的声音一起成就了大友良英和ground-zero史诗般的巨作。除去本身的中国元素和黑色政治幽默外,ground-zero不光在采样上的技术上的得心应手还是音效的处理都远远超人意料,对噪音本来面目的呈现,那种颗粒板极大的刮蹭效果甚至有着秋田昌美异曲同工之效。这场结构秀比起布莱恩恩诺的《智取威虎山》“不着边际”来说显得真诚,更耐人寻味。

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