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Posts Tagged ‘blues

James Cotton - Deep in the Blues

James Cotton,是一位生于密西西比的芝加哥布鲁斯流派的口琴大师,他被人所熟知是应该他替代了英年早逝的Little walter,成为Muddy waters第二任口琴手进入乐队,并参与了1977年格莱美奖的专辑Hard Again的制作。James Cotton的口琴风格继承了前辈Sonny Boy Williamson II,并因其造诣出众而最终成为一代琴皇,更有趣的是James Cotton原来主要司职的是鼓手,只因出色的口琴技术而转了行。

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Robert Johnson – The Centennial Collection (2011)

人们一直以来深信不疑的观点是Robert Johnson与魔鬼达成交易,将自己的灵魂卖给魔鬼,减少自己的寿命以换取演奏蓝调的才华与创作天分。以Robert Johnson惊人的演奏功力、仿佛天赋般的才华与仅27岁就死于非命。而在生前仅仅留下29首歌的天才到今天依然重复着人们对他的敬仰,2011.5.8,Robert Johnson诞辰百年,这位有录制了人类最早的音源的家伙,非常幸运的站在蓝调历史上的十字路口,为蓝调做出指引,写下最为灿烂的百年孤寂。

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| 影音万象 | 三月 3, 2011
上尉走好

Captain Beefheart 始终未能走过2010年,十二月十七号老船长在美国加州静静地离去,其实,自打他患上多发性硬化症离开之后等待这个结局也是早晚的事情。这位传奇的音乐人离去恐怕已经不会再得到很多人的关注,尽管他的贡献是那么巨大。我至今记得开始听Captain Beefheart 那张神奇的鳟鱼面具时,我连五分钟都没有坚持住,就哀号着关掉了唱机,但随着耳朵的进化或亦是异化,在合适的时机合适的迷上布鲁斯和自由爵士之时,Captain Beefheart 又重回视野,

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Sonny boy williams - Bummer road [Chess Series]

密西西比布鲁斯口琴大师Sonny Boy Williamson的Bummer Road收录了一系列早期珍贵的单曲作品,虽然之前曾经介绍过Down and Out Blues,相比而言,Bummer Road更能体现出Sonny Boy Williamson的创作时间上的跨度和风格的变化。两次推荐Sonny Boy Williamson,不得不说是由衷喜爱。

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albert king & otis rush - door to door [Chess Series]

说明一下,albert king和otis rush,他们皆非Chess的艺人,俗话说好马配好鞍,衡量两位大师的和Chess公司厂牌的名气,这张唱片在Chess旗下发行也实至名归。albert king,被誉为布鲁斯伟大的“三王”之一(另外两位是b.b. king、freddy king),而albert king也是本人最喜欢的一位,albert king的风格偏硬,却不失传统布鲁斯的风骨,音符之间饱含情感和张力,Eric Clapton、Stevie Ray Vaughan均从他身上获益匪浅;otis rush也同样是一位伟大的布鲁斯吉他手,不光有深厚的布鲁斯造诣上,在融合爵士乐的方面也备受青睐。

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Little walter - hate to see you go [Chess Series]

说起口琴,在Chess公司里面能称的上最具重量级的,除了Sonny BoyWilliamsonⅡ,另一位不得不提的就是Little Walter。平心而论,Little Walter技艺不如前者,但在电声口琴的革新,以及对于现代布鲁斯的奠基的贡献上,Little Walter值得歌颂。 (更多…)

Hold on to love – Gary moore

在已经熟知的让黑人都崇敬的白人布鲁斯吉他大师中,不经大脑思索大凡如Eric clapton、Stevie Ray Vaughan、Johnny Winter、John Mayall这样响当当的人物,随时都可脱口而出,但如若再能举出这样举足轻重的人物仿佛也颇费脑筋,更多的如jimmy page、Mick Taylor、Jeff Beck、Tony Iommi等令人记住的都只是在各自乐队中的光芒。不免意外的是在这条蓝色长河中有多少被人忽视的支流或是像被人忽视如Michael Bloomfield,或是不温不火被“埋起来”的——2011年2月6日在西班牙一个宾馆在睡梦中去世,享年58岁的Gary Moore。

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Nicky Hopkins - The Tin Man Was A Dreamer

红花需要绿叶衬,诸如滚石、甲壳虫、杰夫贝克小组、杰斐逊飞机等等许许多多著名乐队后面总是少不了一个默默无闻的键盘手——Nicky Hopkins,由索尼再版发行的The Tin Man Was a Dreamer可能是Nicky Hopkins最好的SOLO专辑,最初我对他的影像来自于一张由滚石多人参与的叫做Jamming With Edward即兴演奏专辑,在没有人声的情况下,Nicky的光芒瞬间体现了出来,尤其结尾的Highland Fling,Nicky的表现着实拍案。现在的这张专辑中,他更多的是用娴熟的技艺展示了多变的风格,不仅仅局限于BLUES的演奏,而且也不出意料地也在其中献上一嗓子。另外Mick Taylor在曲目四和五中贡献了吉他演奏。

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