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Posts Tagged ‘Abstract

Ground Zero - Last Concert

1998年3月8日在东京渋谷ON AIR WEST,大友良英率Ground Zero举办告别演唱会,集结了13人历史最强大阵容,即便Ground Zero的人员配置一直在调整,这场最终的谢幕参与人员与之前铸就一次次辉煌的人员相比早已天翻地覆,现场惊异的程度依然令人拙舌。除却标志性的大友良英打碟技艺,最叫绝的莫非现场第三首同时也是最后一首的Consume Red出自同名现场专辑,Junji Hirose,Naruyoshi Kikuchi,Masahiko Okura组成的三人SAX组集体轰炸,把这场噪音最后的晚餐推向高潮。

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Boredoms - Rebore Vol.0: Vision Recreation By Eye

山冢爱(EYE)以Boredoms的名义发行的Remix作品专辑,彻彻底底的脱离了原始尖叫,全部都是以实验电音为主,玩起了德国式的氛围Ambient ,整张专辑没有特别出彩的地方,就是因为没有凸显出鲜亮,从而使整张专辑非常统一,步调一致。本作褒贬不一,同年发行的Vision Creation Newsun得到一片的喝彩,这张更像是小试牛刀的先行兵。

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| 影音万象 | 六月 4, 2010
No New York

这张no-wave合辑的制作者是大名鼎鼎的Brian Eno,里面一共有4个乐队进行参与。巴西古怪的知识分子arto lindsay所领导的DNA从这里开始起步;Teenage Jesus & the Jerks里日后扬名立万的Lydia Lunch当时也仅16岁;融合爵士元素和扭曲无序的萨克斯演奏的Contortions以及黑暗而更实验的Mars。这4支来自纽约的乐队分别在成立两三年后就陆续解散或改弦更张,但他们掀起的影响力极大推动了无浪潮音乐革命进程,No Wave中所渗透出的无调性和暴力艺术美学对日后的实验、噪音、后摇领域产生无法估量的影响。

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