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Archive for the ‘影音万象’ Category

Lou Reed, John Cale & Nico - Le Bataclan '72

Label:Alchemy Entertainment
Released:17 Nov 2003
Genre:Rock
Style:Acoustic, Art Rock, Avantgarde

没有一支乐队能像地下丝绒那样,给摇滚乐带来如此巨大的影响.lou reed,John Cale这些天才的音乐家与诗人,将流行与先锋艺术完美的融合在一起,并将之推向一个前所未有的高度。地下丝绒的音乐其实深深的蕴含了朋克朴素直接的内涵。在六十年代,还没有哪一支乐队能用这么简单的和弦,做出一首首经典之作。更没有一支乐队以刨析人性与社会的阴暗面为主要的创作角度。可以说,地下丝绒是反嬉皮的垮掉者,更是朋克的预言家。它的朴素与直接激励了前朋克的造反者们,而它的内省与唯美,则为后朋克时代的孤儿们指明了通往心灵深处的幽径。

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Kleenex - Live Recordings, TV-Clips & Roadmovie

Label:Kill Rock Stars
Released:2010
Genre:Rock
Style:New Wave, Punk

这张专辑的CD部分涵盖了Kleenex /LiLiPUT分别于1979年和1983年的两个现场,这支在瑞士苏黎世成立的乐队,在朋克火焰刚刚开始燃烧的年代,以并不火爆的风格而独树一帜。她们没有发行过专辑,却在今天——一个新浪潮已经没落的年代依然给予推崇。两个现场相对而言,1979年的更为精彩,想当初听她们的那张合辑,也是记录了早期歌曲的A面更棒。

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Minutemen - Project Mersh

Label:SST Records
Released:1985
Genre:Rock
Style:Alternative Rock

如果不是D. Boon的英年早逝,Minutemen如今在美国地下界的地位将数一数二。让很多乐队垂涎的是,Minutemen不光具有像D. Boon这样一流的创作者和吉他手,同时拥有顶尖的BASS手Mike Watt,俗话说一山不容二虎,D. Boon与Mike Watt在创作方面确实有很大的区别,D. Boon讲究简约有力,激进急促,典型的Hardcore;Mike Watt更讲究旋律,循序渐进。

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Boredoms - 77 Boa Drum

Label:Commmons
Released:2008
Genre:Rock
Style:Experimental

77 Boa Drum意为Boredoms三名打击成员连同74名鼓手,他们于2007年7月7日下午7:07在纽约市布鲁克林大桥旁的帝国富尔顿国家公园的草坪上进行的一场开放性表演,以山冢爱为圆心,鼓手呈螺旋状排列,寓意为一条卷曲的大蛇。山冢爱就像一名祭祀发出了号令,所有鼓手同时开动,顿时鼓声如潮,彷若万马奔腾,山冢爱延续了一贯的自言自语,惊声怪叫,敲打着全场最大的锣鼓和分布周围的各种打击乐器,用他的话来说这是用人类最原始的语言与神灵的对话,与万物沟通。Boredoms在这次大规模的表演中地进行了一场成功实验,实现了一个伟大的夙愿,可能也是最过瘾、最疯狂的一次。

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We Want Miles: Miles Davis vs. Jazz

《我们需要Miles: Miles Davis vs. 爵士 》一书给我们提供了一个观察这位传奇爵士音乐人的机会。Miles Davis是爵士音乐史上最伟大的梦想家之一,这本书通过照片、手写乐稿、专辑封面、海报等形式探索了Miles的生活和艺术。本书从他最初在圣路易斯成立乐队开始,然后跟随他一路到了纽约,开创了Bebop新纪元。在那里他与Charlie Parker 和Dizzy Gillespie合作,成就了早期的一些个人单曲如Birth of The Cool。再后来他经历了声名大振的辉煌,穿越了滥用药物的艺术低谷,还有对摇滚和放克从未间断的实验性探索,一直写到Miles的早期隐退,直至重返舞台。

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Yoshimio - Yunnan Colorfree

Label:Commmons
Country:Japan
Released:21 Nov 2007
Genre:Electronic, Folk, World, & Country, Stage & Screen
Style:Soundtrack, Experimental

Yunnan Colorfree翻译过来也许可以叫做“云南印象”,但可千万别和老谋子那种糟践文化的所谓某某印象混为一谈。Yoshimio作为日本最具鬼才性的女子,倒是真真切切地将云南少数民族的风情给实验了一把, (更多…)

Captain Beefheart & The Magic Band-live in brussels '74

Label:Bootleg
Genre:Blues, Rock
Style:Electric Blues, Psychedelic Rock

Captain Beefheart关于74的演唱会一直流传着许多的版本,有的作为官方出版物正式发行,有的作为海盗靴腿流传坊间。值得注意的一个细节是在74演唱会系列中无论歌曲选择和演出排序都可谓如出一辙,可以猜测,这些曲目都应该是Captain Beefheart最为得意佳作。这张brussels 就是其中极为代表性的一张,即使它从未光明正大的面市。虽然很多人不清楚四个半八度的音域是为何物,但老上校Don Van Vliet绚烂的布鲁斯口琴演奏,都可认为是bob dylan的灵魂附体;Dean Smith,Fuzzy Fuscaldo在吉他的演绎上炉火纯青;Paul Uhrig熠熠生辉的BASS,以及Ty Grimes激情的鼓技,都可证明The Magic Band个个乐手都顶级的乐师级人物。Captain Beefheart将自由爵士、三角洲布鲁斯、摇滚幻化成充满创造性和大胆想象在舞台上淋漓尽致的发挥,掩盖了Don Van Vliet因为身体的原因无法与台下互动的不足。与Captain Beefheart同出一门的FRANK ZAPPA相比,Captain Beefheart也更加具有可听性。

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