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首页 » 设计艺术 » 艺术家: Sergio Albiac

艺术家: Sergio Albiac

十月 29, 2011

某种艺术形式在成为伟大之前通常独立于人们的普遍认知范围之外,只有往往当人们对“时髦”失去耐心之余,复又开始怜悯周遭的一切,包括我们自己。对此,我们好像有着约定俗成的执念,然后我们会通过“悼念”、“蹂躏”或者“诡辩”眼前的一切的方式以企图彻底消磨掉燃烧殆尽的欲望…不过,这对于艺术而言并没有什么不公平的,因为它始终表现出一种静默的状态,而我们也总喜欢用某种方式或某件工具描述它,无论过程与结果如何,亦无非是对它的遐想和对自身的眷念。

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Sergio Albiac 及其作品仍忠实于艺术存在与发展的规律,其表现风格对抽象与立体主义的热烈痴迷无法使我们割断对西方17世纪至20世纪期间重要时间段与重要作品的联想,画面中呈絮状或块状的肌理也早已被打上了历史的标签。自从艺术家们开始“被迫”表现意识形态之时,艺术,特别是绘画艺术的创新便进入到探索全方位抽象的可能的阶段。

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直到今天,即便艺术家使用影像媒体作为新的表现手段也仍无法跳脱出线状的历史时间轨迹。我们可以视其为一种被赋予的荣耀,同时潜在的也预示着宿命般的结局,而通常令我们为之惊异的是那些使路线暂时偏离轨迹的拐点,之后要么一路畅通,要么迅速转入慢行道。也许这样看来,Sergio Albiac 的名为“Content is Queen”的视频影像拼贴作品其本身所孕育的异变基因恐怕只有到了下一个集体怀旧期爆发时才会被重新认识。与同类型的视频影像作品相比,它在本质上与那些徘徊于探讨静态与动态的外在形式互补意义的作品之间有着清晰的差异。活动的影像画面由活动的影像画面组成,其寓意的抽象性类似于中国的《庄周梦蝶》,始与终,虚与实的扑朔关系即为表述的重点,而结果是被刻意回避的。与人类不遗余力探知微观世界相比,这样的行为有如使自己止步于真相之前,令我们对结果持续想象和追寻,或者因烦躁不安无果而渐渐趋向于随波逐流。

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