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首页 » 影音万象 » [Japan noise]kousokuya光束夜 – 1st (psf, 1991)

[Japan noise]kousokuya光束夜 – 1st (psf, 1991)

九月 30, 2010

日本噪音迷幻里程碑式的专辑,新迷噪地下音乐的传奇,黯然而又不屈的灵魂。如熟知灰野敬二、南条麻人大名者,必知金子寿德,这位光束夜早期的主脑,英年早逝的天才。

R-1108058-1192609942 

   金子寿德 (Jutoku Kaneko) 於1958年出生於前桥市。75至78年间,他曾是多媒体艺术集团黑涯枪之成员。金子寿德於79年组成迷幻组合光束夜,当时除了负责结他的金子寿德外,其他成员包括Misiku (低音结他、主唱)、横山宏 (电子合成器) 及渡边敏子 (鼓)。经过多番阵容变革,当光束夜於91年发表首张专辑时,乐队己变成一个包括金子寿德、Misiku及鼓手高桥几郎的阵容。其后后两者相继离队,分别由Sachiko及长尾Hibari入替,而这阵容一直维持至今。
虽然光束夜在东京地下迷幻乐圈之活动巳有二十年歷史,但所留下的声象纪录却远及不上灰野敬二与南条麻人。再者,光束夜於91年发表的首张同名专集,又或是金子寿德与褔冈林嗣合作的一张Searchin’ For My Layline,都只是限量数百枚的黑胶碟製作,因此要追探金子寿德及光束夜之音乐歷程实非易事。这正好解释了為何金子寿德在国外的知名度远不及南条麻人。
要追探金子寿德及光束夜的迷幻音乐世界,除了一张由美国厂牌Forced Exposure為光束夜出版的Ray Night 1991─>1992 Live,东京地下名牌P.S.F.的杂锦迷幻专辑Tokyo Flashback。第一、二集,以及以光束夜+浦边雅洋名义发表的The Dark Spot便成為仅存的纪录。
在两集Tokyo Flashback中出现的光束夜,均是91年间的金子寿德 / Misiku /高桥几郎容。此时期之光束夜,大抵可比喻為一队女主音版的不失者 (Fushitsusha)。金子寿德的结他演奏,时而疏落空荡,时而躁密连绵,结合著六十年代的Psychedelia 及No Wave 式的噪音崩坏力,在Free-Form的结构中展示出一种近似灰野敬二的凝滞性暗黑色素。Misiku的主唱,在非旋津化之餘,亦散发近乎Post-Punk/Gothic的诡异阴暗。这种节奏缓滞的黑暗迷幻乐风,至今仍然是光束夜基本造型。
97年发表於P.S.F.旗下的The Dark Spot,所收录的是光束夜以现时金子寿德/Sachiko/长尾Hibari阵容,再加上吹奏家浦边雅祥的音乐会选辑。在这裡,我们可再次发现东京迷幻乐派与Avant-Garde及Free-Jazz的相通血脉。光束夜+浦边雅洋的演奏,彷彿是中慢版的High-Rise遇上John Zorn一类实验吹奏。而笼罩著演奏空间的,则是散发自金子寿德的结他及歌唱的黑暗悲凉感。六十年代的迷幻摇滚主体,经前卫噪音概念及即兴演奏的运作毁碎断裂后,与浦边雅祥的Avant-Jazz吹奏衝击著奇异的声响效果。值得留意是,当中收录 “梦之影” 的两个版本,手法及效果均截然迴异。 (摘自豆瓣)

Label:P.S.F. Records
Country:Japan
Released:2003
Genre:Rock
Style:Psychedelic Rock

Tracklist
奇跡 18:42 
記憶の夢 6:42 

移り 15:06 
暗黒場 7:26

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