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首页 » 影音万象 » 未咽气的香港电影:《分手说爱你》

未咽气的香港电影:《分手说爱你》

九月 20, 2010

香港本土电影文化俨然成了一座空城,一座用王晶式的扯淡市场理论构建成的毫无营养的废墟。如果说电影的本质功能只有娱乐,那么其意义无异于抛弃理想退化为牲畜。几乎每个开放国家的商业电影票房都挣扎在美国好莱坞为主导的市场中,即使在这样的残酷现实面前,也几乎在每个国家都有着那么些试图探寻电影另一面意义的人,这不是反抗,是思考,而香港电影许久没有独立思考过,纵使殖民者弃你们而去,却并没有带走你们思考的器官。

BUC0625_1716

 

《分手说爱你》在叙事方法和拍摄技巧方面带有明显的现代独立电影的印记,自拍,偷拍,分拆剧情,可以说除了使用了大家早已熟知的表面技巧之外,与1987年的《秋天的童话》根本是差之毫厘谬以千里。现代导演在面对票房压力时很少有人有勇气安安静静的给观众讲完一个故事,有趣的是,好莱坞却一直让自己扮演着讲故事的人的角色,所以历届获大奖的几乎都是带有明显人文倾向的影片,这是好莱坞最狡猾的地方,在使用一堆高科技占领票房之后,它却盘拢腿与你坐而论道起来,殊不知这让多少盲目的投资方死在了美好的票房之梦里。

20100830061915613 这是一部香港理所当然能够拍出的文艺片。片中反映出的点点滴滴是香港这个城市中一直在生长着的,为什么到今天才由一个半熟不熟的导演吞吞吐吐的再次讲述出来。一个在历史上出现过电影文化高峰的城市悄悄的、偷偷的、疲惫的卸下了独自思考的痛苦负担,但前方却是无法逾越的好莱坞,也许自我迷失是最安全的选择。

香港电影在我们的视线中缺席太久了,即便是台湾、日本时常左右敲打着,但对于一座人去楼空的城市,还有什么意义呢。站在遍布人民币和低级娱乐八卦的废墟中,你们所能做的就是用一桶爆米花消磨完一段无聊的时间,然后迈向出口,可是门缝外没有刺目的阳光。

现在的情况已经很好的说明一个问题,只有当你开始真心实意的讲述一个故事的时候,观众们才会真的被你吸引。这是李小龙、叶问、陈真无法做到的。

《分手说爱你》- “两个人”:

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