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首页 » 设计艺术 » 绘画的质感 – Jonathan Jungsuk Ahn

绘画的质感 – Jonathan Jungsuk Ahn

八月 16, 2010

自十九世纪中叶欧洲发明了摄影,画家们便尝试利用照片作为辅助创作的一件工具,比如德拉克洛瓦,还有德加。进入了20世纪,一部分画家为了摆脱照片影像疯狂的魔力,决然的选择在创作动机上与摄影划清界限,又比如后印象派引出的立体主义、表现主义等完全秉持探索绘画原始意义的多个派系。有趣的是,亨利·卡蒂埃- 布列松这样的伟大摄影先驱,绘画却始终是他最为之着迷的创作,以至于他会有:“照相是一种直接的行动,绘画是一种思索。”的感悟。

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1977年出生的 Jnathan Jungsuk Ahn 自然也多少受益于现代摄影工具为之带来的绘画创作上的便利。但与很多具有敏锐直觉的画家相似的是,在他的作品中,观众既可以察觉到摄影视觉经验的存在,同时我们又无可辩驳的迷恋于画布上的天然笔触。也许这便是现代绘画带给现代观众的现代视觉经验,至于它们到底是绘画?还是摄影?还是绘画与摄影的共生?是架上艺术早已泯灭的又一佐证?还是画家们重新寻找到了一片可以撒欢的草地?现在,请忘记这些,让眼睛恢复其原始的观看功能,如果你有任何异样的感觉,别慌张,也许你正在恢复某种僵钝久已的知觉。

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