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首页 » 人文地理 影音万象 » We Want Miles: Miles Davis vs. Jazz

We Want Miles: Miles Davis vs. Jazz

五月 16, 2010

《我们需要Miles: Miles Davis vs. 爵士 》一书给我们提供了一个观察这位传奇爵士音乐人的机会。Miles Davis是爵士音乐史上最伟大的梦想家之一,这本书通过照片、手写乐稿、专辑封面、海报等形式探索了Miles的生活和艺术。本书从他最初在圣路易斯成立乐队开始,然后跟随他一路到了纽约,开创了Bebop新纪元。在那里他与Charlie Parker 和Dizzy Gillespie合作,成就了早期的一些个人单曲如Birth of The Cool。再后来他经历了声名大振的辉煌,穿越了滥用药物的艺术低谷,还有对摇滚和放克从未间断的实验性探索,一直写到Miles的早期隐退,直至重返舞台。

MilesDavis01

Franck Bergamot的《我们需要Miles: Miles Davis vs.爵士》一书是对Miles的艺术生活一次彻底的回顾和观察。Miles是美国最重要的音乐家之一的,被称为“爵士乐中的毕加索”。这本书被号称为影集书,事实上它确实包含了数量惊人的照片、专辑封面、音乐会海报、俱乐部宣传单和其他与他有关的艺术形式,不仅如此,还收录了很多在他漫长而传奇的艺术人生中他的乐迷写给他的信。本书从他最初在圣路易斯成立乐队开始,然后跟随他一路到了纽约,开创了Bebop新纪元。在那里他与Charlie Parker 和Dizzy Gillespie合作,成就了早期的一些个人单曲如Birth of The Cool。再后来他经历了声名大振的辉煌,穿越了滥用药物的艺术低谷,还有对摇滚和放克从未间断的实验性探索,一直写到Miles的早期隐退,直至重返舞台。此书的排版非常漂亮,即使假设这本书仅有图片或者仅有文字,也可以作为一个相当不错的礼品。更为精美的9.5″ x 11″的硬面精装版将于6月由 Skira Rizzoli 出品。

( 资料翻译及编写来自本站编辑:Alice Sheng . 转载请注明 )

 

“素有〈黑暗王子〉之称的 Miles Davis,1926年5月26日出生于美国伊利诺州,卒于1991年9月28日。

出身于富裕中产阶级家庭的他,父亲是一位牙医师,而母亲和姐妹都是音乐家。在13岁生日那年,Miles Davis 拿到生平第一支小喇叭生日礼物,他父亲绝对想不到这支喇叭竟开启了他的音乐旅程,并且让他成为爵士发展过程上一位重要人物。

由于家境富裕,因而得以负担 Davis 到纽约茱丽亚音乐学院念书所需,但不久之后,他便离开学校到52街的酒吧表演,并因加入Charlie Parker 的乐团而受到注意。事实上,年仅19岁的 Davis,在当时尚无法与

Parker 相提并论,不过他的进步是有目共睹的。在四O年代末期所录制的作品中,可以感受到Davis把温柔深沉的思绪带进跃动的Bop(咆勃)乐风中。

1955年的 Newport 爵士音乐节,Davis 与 John Coltrane、Red Garland、Paul Chambers 及 Philly Joe 等人合组五重奏乐团同台演出,令人为之惊艳。Miles Davis 的闷音演奏相当出色,音色中具有些许神秘的特质,成为乐团表现之鹰架。1959年,中音萨克斯风手 Cannonball Adderley 的加入,使整个乐团达到最佳状况。“Kind Of Blue”专辑便将爵士乐从和弦的架构中解放出来,拱出音阶为独奏基础的结晶创作,被乐评评为爵士史上的不朽之作。

离开 Parker 之后的 Davis 于1947年认识了编曲家 Gil Evans,并与 Evans 乐团的乐手组成乐团。他们于1957-1959年间所合作的管弦乐编制作品已被视为经典:包括“Miles Ahead”、改编盖希文的“Porgy And Bess”、以及改编自西班牙作曲家罗德利哥的「阿兰费斯」吉他协奏曲慢版乐章的优美“Sketches Of Spain”。而“Milestones”是首度以十九人弦乐编制为基底所编写的作品,Evans 恰到好处地融合富丽的弦乐与 Davis 的小号乐器,使其更加多采丰富。

1964年,The Beatles 风潮袭卷全球之时,Davis 发现到传统摇滚乐配上爵士乐的市场潜力,而创造出 Jazz-Rock,后来被称为 Fusion(融合爵士),也因此吸引了许多摇滚乐迷加入爵士乐市场。

1975年,在一连串汽车意外、嗑药等问题缠身的情况下宣布退休,甚而有人觉得 Davis 不能够再表演了。六年后,出乎众人意料之外的,Miles Davis 又回来了,并且健健康康地推出“The Man With The Horn”这张专辑。之后发行“You’re Under Arrest”这张以放客(Funk) 为基调的专辑,甚且演奏 Cyndi Lauper 的「Time After Time」、Michael Jackson 的「Human Nature」等流行曲目。

1991年9月28日 Miles Davis 去世于加州医院。这位固执的天才酷公子哥儿身后所得到的评语不是阿腴奉承,也不是愠怒词句,只是流传百世的一些优良事迹。他所留下来的音乐组织紧密、充满理性,象征不断追寻艺术的精神。”

重要专辑:

Round About Midnight (1957年3月18日)

Birth of the Cool (1949年)

Miles Ahead (1957年)Kind Of Blue (1959年8月17日)

Miles Smiles (1967年1月)

Bitches Brew (1970年4月)

 

译文参考( typo-graphical.com ):

Franck Bergamot’s We Want Miles: Miles Davis vs. Jazz is an incredibly thorough look at the life and work of the “Picasso of Jazz,” one of America’s most important musicians. It is touted as a photography book, and it does indeed contain an astounding collection of photos, as well as images of his album covers, concert posters, club flyers, and art he inspired, but it also contains a wealth of writing from people who came into contact with him over his long and storied career. It starts with his big band beginnings in St. Louis, and follows him through the Bebop era to New York City where he worked with Charlie Parker and Dizzy Gillespie, on to his early solo efforts like Birth of The Cool, tracking his rise to fame along with his descent into drug abuse, and continues through his experimentations with rock and funk, his early retirement, and his return to the stage. The layout is excellent, and if this book was limited to just the photos or just the text alone, it would be an excellent offering. The impressive 9.5″ x 11″ hardcover will be out from Skira Rizzoli in June.

译文参考( whiteboardjournal.com )

Franck Bergamot’s We Want Miles: Miles Davis vs. Jazz is an incredibly thorough look at the life and work of the “Picasso of Jazz,” one of America’s most important musicians. It is touted as a photography book, and it does indeed contain an astounding collection of photos, as well as images of his album covers, concert posters, club flyers, and art he inspired, but it also contains a wealth of writing from people who came into contact with him over his long and storied career. It starts with his big band beginnings in St. Louis, and follows him through the Bebop era to New York City where he worked with Charlie Parker and Dizzy Gillespie, on to his early solo efforts like Birth of The Cool, tracking his rise to fame along with his descent into drug abuse, and continues through his experimentations with rock and funk, his early retirement, and his return to the stage. The layout is excellent, and if this book was limited to just the photos or just the text alone, it would be an excellent offering. The impressive 9.5″ x 11″ hardcover will be out from Skira Rizzoli in June.

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